INCLUDES: camera and eye piece only
 
• Inquire for additional accessories: manuals, brochures, film, batteries, cases/ bags, lens hood, detachable filters, lens cover, remote socket..etc.
(MAY charge extra)
message for inquiries
 
I always service, clean, lubricate, disinfect the entire camera as needed.

• Overall Good condition, film tested, and ready to shoot!
 
• MOTOR FUNCTION : 1. 18, 24 and 54 FPS (frame per second) Works
 
• EXPOSURE SYSTEM: Works (reads 10-650 ASA)
 
• AUTOZOOM: Works (2 speeds)
 
• OPTICS///LENS: Clean (few very minor surface defects) (A-)
 
• COSMETICS: Good (B) 
 
• INTERNAL FILTER : Works (85A) for best results, external glass screw on filter is reccommended always.
 
• BATTERY TERMINAL : Clean: Requires 6 AA batteries to run and for the exposure system
 
• DEFECTS - This camera is tested by me and is as described. However, there MAY be a few minor cosmetic faults that may hinder the camera from being in "mint condition"... please refer to the photos for more details.
 
My main goal here is to help you create memories in this unique film experience. I also have a lot of information regarding this medium so please contact me for any questions anytime!
 
Thank you for keeping film alive!
 
Additional Info (filmkorn):
 
Nikon R10 Super Zoom
marketed since 1973 until 1979 (1)
silent super 8 cartridge
lens: Cine Nikkor Zoom f: 1.4 \ F: 7-70 mm
zooming ratio: 10x
focusing: manual, split image
macro focusing: yes
zooming: auto with 2 speeds and manual
filter size: 67 mm
viewfinder: single-lens reflex with adjustable eyepiece
viewfinder information: aperture scale
exposure: auto and manual exposure control; TTL Electric Eye
EE lock: yes
diaphragm type: iris
exposure compensation: +/- 2 stops
film speed: auto between 10/16 and 400/650 ASA (daylight/tungsten)
ASA notching: slide = no pins
CCA filter: built-in 85A filter, coupled with movie light socket
filming speed: 18, 24, 54 fps, single frame
shutter opening angle: 160º variable shutter; positions: 0º, 40º, 80º and 160º
fading: auto and manual fade-in/fade-out
rewind ing: 100 frames approx, double exposure and lap dissolve (2)
reverse filming: 100 frames approx
sound: double system, sound recording with synchronized tape recorder
remote control socket: yes
cable release socket: no
movie light socket: kodak type, with filter control key
flash synchronization socket: yes
flash shoe: yes
film counter: yes
handle: fixed pistol grip, chamber for penlight batteries
battery check button yes
film drive motor: DC micromotor
power source: 6 x AA batteries only
weight: 1930 g
dimensions: 68 x 260 x 200 mm
tripod socket: 1/4"
made in Japan by Nippon Kogaku
(1) "After making thoroughgoing preparations, Nikon R10 SUPER ZOOM and Nikon R8 SUPER ZOOM were finally released in 1973. In contrast to former times, they were intended to be high-grade models aiming advanced amateurs from the beginning with such features as fast zoom lens with high magnification, macro mechanism covering full range, reverse shooting, variable shutter opening angle, and so on. They were welcomed by high-level amateur movie makers, as planned at the beginning, and sold well. In addition to R10 SUPER ZOOM,, the highest-grade model, R8 SUPER ZOOM succeeding the conventional 8X SUPER ZOOM was released at the same time, and contrary to our expectation that moderately-priced R8 would sell more, expensive R10 sold more. The "overlapping / rewinding" function, the strongest selling point was automated as far as possible and its operation was simplified. However, inside the company, there were many people who have the opinion that "its operation is too difficult", mainly among senior people and the plan was almost rejected. Development members made a narrow escape with their enthusiasm. In the market, the evaluation of "simple operation and high performance" was dominant, and development members were pleased with it as "their intention was understood"." (Text from Nikon website: http://imaging.nikon.com/history/cousins/cousins19-e/index.htm).
(2) "The main feature of the Nikon R10 is its two claws, one to pull down the film, the other one, double, to pull up the film. This system is only one in an 8mm camera and is a technical achievement able to secure a very steady frameline position, and this is very important, the same frameline position whether you film forward o reverse. Of course, due to the coaxial mechanism of the super-8 cartridge, you can film in reverse only a few seconds --just 100 frames (about 5 seconds). But during those seconds the frameline is always in the same position, filming forward or reverse." (Extract from article The New Film Format by Ignacio Benedeti, Interantional Movie Maker, 2006).